Customer Review(s)
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Summary: Star Trek III; The Search for Spock (Expanded Score) by James Horner
Comment: Hello everyone. I am an avid collector of rare/OOP film scores. Many are complete, expanded, or promotional items never intended for commerical release. With over 200 scores in my collection, I know the subject well! For those of you who love the Horner scores from Star Treks II and III, there are some highly desirable EXPANDED versions floating around out there. Sadly, I do not own this one yet...but I do know whats on it:
1. Prologue & Main Title (6:34)
2. Information Drop (1:03)
3. Klingons (3:12)
4. Docking Manoeuver (2:34)
5. McCoy's Insanity (1:38)
6. Kruge's Plan/Approaching Genesis (0:58)
7. The Mind Meld (2:35)
8. Kirk's Promise/Genesis Beamdown (0:34)
9. Stealing the Enterprise (8:35)
10. Kruge Attacks the Grissom (1:12)
11. Genesis Sundown (2:07)
12. Pon Farr/Genesis Arrival (3:00)
13. Bird of Prey Decloaks (3:41)
14. Destruction Sequence (2:25)
15. The Enterprise's Final Glory (0:47)
16. Genesis Armageddon (2:45)
17. Returning to Vulcan (4:54)
18. Climbing the Steps of Mount Seleya (1:12)
19. The Katra Ritual (4:34)
20. End Titles (6:18)
21. Destruct Sequence & Enterprise's Final Glory (3:45)
Also check out the artwork/covers I added to "customer images" above.
Customer Rating: 



Summary: The Magic of Star Trek begins with James Horner
Comment: For me, this music is what probably started off my love for
Star Trek and also (sci-fi/fantasy) motion picture music soundtracks. In its genre of motion picture music-soundtracks, this must be one of the most fantastically inspiring of all. It has a nobilic but heartfelt kind of romantic and mystic quality to it (mirroring the intense Spock-Kirk relationship) that I find very endearing. The soaring and melancholic string melodies - in 'Main Title', 'Returning to Vulcan' and the 'End Titles' really grip my attention, appealling to a simple kind but deeply seated need for pure and simple wonder, however uninspired the ideas behind the music sometimes may be. (The presto cascade of sixteenth notes on the violins at the start of 'Stealing the Enterprise' is of course an almost direct quotation from 'The Fight' (Act I, scene 6) from Prokofiev's music for 'Romeo & Juliet'.) It is interesting to know that the theme-music for Spock, which permeates this whole soundtrack, is also already present in the soundtrack for
Star Trek II: The Wrath of Khan, especially noticable in the cue 'Spock', where it speaks with restrained nobility, simply orchestrated with high-pitched electronic effects with accompaniment of wooden flute and harp strummings ...
It must have been about two decades ago that I first heard this music coming out of the speaker of a simple color television on which there was a telecast of the movie
Star Trek III: The Search for Spock. As an early teenager I was strangely drawn to this colorful, bold and often deeply sentimental music while in the background, projected on a large, operatic canvas, there were stars and moons and planets and spaceships, and heroic people called (as I learned later) Spock, James T. Kirk, McCoy ... This music just makes the adventures and emotions of these characters seem all the more human.