HOME GAMES DRIVERS VIDEOS NEWS STORE
 
We apologize, there is a server error. Please refresh this page.

Copland: Rodeo/Billy The Kid


Copland: Rodeo/Billy The Kid
( click to zoom image )
Customer Rating: Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5


List Price: $9.98
Our Price: $5.48
Your Save: $ 4.50 ( 45% )
Availability: Usually ships in 24 hours
Manufacturer: Sony
45%

Compare Copland: Rodeo/Billy The Kid

   
Product Description
If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted Libbey
Sponsored Ads
Customers were also interested in these products
  • Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano
  • Gershwin: Rhapsody In Blue/An American In Paris
  • Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain
  • Grofé: Grand Canyon Suite/Mississippi Suite
  • Barber's Adagio
    		•
    Customer Review(s)
    Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
    Summary: Vinyl replacement
    Comment: Loved the music on vinyl and want it on CD. Sounds as good as the original only without the scratches.
    Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
    Summary: Superb
    Comment: It does not get better than Bernstein conducting Copland. I have seen both ballets many times and this CD brought back vivid memories. No one has ever captured the sounds, rythms and spirit of the West as well as Copland. The album is a treasure. I never tire of listening to it.
    Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
    Summary: For Rodeo alone, this beats the competition hands down
    Comment: Leonard Bernstein's Columbia recording of Copland's "Rodeo" with the New York Philharmonic, made in 1960 still beats the competition hands down for sheer excitement and power. Lenny's "Buckaroo Holiday" (I) is wonderful: very fast and spirited, and no holes barred, like riding a bucking bronco. When I first heard this recording on LP in 1974, I could hardly restrain myself, as it is not only fast, but well accented, and the recording really backs up what Bernstein was trying to do in this piece. Tempos are all sensible, but fast where needed, especially in I and IV, "Hoe down." I have heard other recordings: Dorati/Detroit (London), Johanos/Dallas (Vox), Abravanel/Utah (MCA), and they all have their merits, but for sheer excitement, Bernstein is the best to have.

    "Billy the Kid", recorded in 1959, is also well recorded and performed. Bernstein's tempos are sensible, and he does alot with the crescendos and repeats in the final movement, "The Open Prairie" to make it more interesting than some conductors do. I also like recordings of this work by James Judd/New Zealand Symphony (Naxos), Johanos/Dallas (Vox) and Dorati/London Symphony (Philips Mercury - more than just the suite recorded here), but again Bernstein is very fine in comparison with any of them, although he doesn't stand out as much as with "Rodeo."

    Recommended, either in this recording, or the Bernstein Century edition, also on Sony Classical, which also includes Bernstein/New York Philharmonic's 1961 Columbia recording of "Appalachian Spring."
    Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
    Summary: A TWO-PUNCH PARTNERSHIP
    Comment: Bernstein and Copland, two of the giants of the American classical scene are here in this excellent recording of the latter's homage to the Old West. Every major filmed western of the 50's owes its score beginnings to themes found in Copland's music.

    Just take a listen and "saddle up" for the musical ride.

    Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
    Summary: Incomparable!
    Comment: No one else has come close to Bernstein's accounts Copland's music- including Copland himself. In every respect, this is best recording of Rodeo I've heard. The tempos are, if anything, a bit on the fast side of average. The recording quality is quite good, though the woodwinds can be a bit too quiet.
    Buy it now at Amazon.com!