Customer Review(s)
Customer Rating: 



Summary: Sentimental value, but not timeless.
Comment: "The Phantom of the Opera" is a show I like, but for the wrong reasons.
For many it's their first musical often because as a global hit there are productions around every corner. The result is a lot of people, including myself, being attached sentimentally to the show rather than for its artistic merit.
That's not to say it doesn't have its moments - despite very self-indulgent and over extended "Music of the Night" has become a standard. The reprise of "All I ask of you" with Michael Crawford's haunting falsetto can be moving and "The Point of no Return" can be a showstopper. "Poor Fool, he Makes me Laugh" is funny and "The Mirror" is a haunting revelation of the Phantom, but this revelation can become tiresome with the over repetition of the melody - unskillfully transposed to add some interest by Andrew Lloyd Webber. The title song also needs to be re-arranged into the 21st century as the synthesized drums have not aged well (there was some improvement in the 2004 film cast). In this particular recording Sarah Brightman can also be unintelligible at points.
Still, there is no denying the music is catchy and hard to dislike (except when it's repeated throughout the show many times). It's no "Fair Lady", but because of its few redeeming tracks, its very high quality recording, Michael Crawford and Sarah Brightman's definitive performance of their roles and its place in musical theatre history, the 1986 cast recording of "The Phantom Of the Opera" is a must buy for anyone who listens to music.