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Customer Rating:    
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List Price: $16.98
Our Price: $9.49
Your Save: $ 7.49 ( 44% )
Availability: Usually ships in 24 hours
Manufacturer: EMI Classics
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Product Description
Taking as her base 12 works of Bach, Venezuelan pianist Gabriela Montero proceeds to play variations on each. The works are familiar and most Classical fans will recognize their melodies instantly. But Montero, who is closer to a jazz improvisationalist than a classical pianist merely embellishing, alters rhythm as well as melody, and the results are invariably both surprising and delightful. The Presto from the Italian Concerto is positively wacky, but "Jesu, Joy of Man's Desiring" sticks to the piece's mood with truth and originality. Montero plays "beyond" Bach with good taste and respect, and always with intense musicality. The results may seem improvised, but I doubt they are---they seem to well worked through---but that is more of a plus than a minus. You'll revel in hearing old favorites "interpreted" and find some unexpected pleasures here. --Robert Levine
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Customer Review(s)
Customer Rating:     Summary: Back to Bach, Please. Comment: I wasn't as over-joyed with this CD as I expected to be. I bought it after hearing the title track on FM radio. The title track is, indeed, a jewel; the rest is, in my view, only high-grade "background" music.The pianist is a marvel (and a beauty, too!) - her popularity is easily understandable. She possesses a remarkable gift for transposing and transcribing classic keyboard to "swing" keyboard. Many Bach purists (this one, for example) don't appreciate that, even though we have to admit that a lot of Bach swings, anyway, without transcribing. Lsten to tracks 3 and 4 and you will get your money's worth - they're worth the price. Customer Rating:     Summary: Bach Lives Comment: Bach was known to be at the very top echelon of improvisers; not only was he fond of playing around with his own tunes but he was also known to have borrowed a lick or two from his contemporaries. I have no doubt that he would have enjoyed, if not have been stunned by, the similar efforts of this pianist, Gabriela Montero. This pianist is a very nice techician with lovely lyrical gifts. Her reworkings of some of Bach's most famous tunes range from very close "inhabitings" of Bach's pieces (Jesu, Joy of Man's Desiring), to some rather tangental takes on them (Air in G). However, it seems clear that she always undertakes the improvisations with great reverence and humility. Surely in this last trait, she is worthy to ride on Bach's legacy. I particularly enjoyed her infusions of Argentinian rhythms and sensibilities (tango, gaucho) to her reworkings. Repeated listening produces only slightly diminished results. In large part, I began to enjoy the pieces for themselves, not merely as dependants of their originals. I really only have two quibbles with the CD. First, her own piece called 'Beyond Bach' seems more like Bach than beyond him. The title does rattle me for it seems a bit presumptious and not in keeping either with the humility of her playing or her liner notes. Second, Montero's endings to her improvisations never seem to convince me. Her timid exits surely do not follow in the keystrokes of her mentor, the pianist Martha Argerich, one of the best in the business. All in all, minor quibles. In lieu of actually seeing and hearing this pianist at work, this is an enjoyable CD from a young pianist of whose rare gifts we should all take note.
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